![]() “Not to stereotype, but there were lots of jock-looking dudes whose only interest was to go in there and hip check and shoulder check as many people as they could as hard as they could. “In the mid-to-late-’80s I saw lots of people going into the pit specifically to wreak havoc and perpetrate violence against others,” Ian says. Suddenly, a cultural element that had defined solidarity turned into a divisive contest of physical strength. This dynamic changed, though, when the big metal bands outgrew the club scene and started getting booked at mid-size venues, outdoor sheds and eventually arenas and festival grounds. “And then you learned, oh, I shouldn’t act like an a-.” “In 19, if you went into the pit and you were a jerk, you were going to get yanked out and maybe knocked out,” Ian says. The crowd at the Lamb of God concert on Feb. Roger Kisby/Getty Images Physics and heavy metal don't seem to have a lot in common, but Matt Bierbaum and Jesse Silverberg have found a connection. Bands didn’t want to watch their fans get hurt and when bad apples entered the pit and threw their weight around, either the artists onstage or concerned crowd members often tried to remedy the situation. Fans in the mosh pit during the performance of Liturgy at the 2012 Pitchfork Music Festival in Union Park, Chicago, on July 14, 2012. Pits became more violent, but the core values of metal fans were similar to those from the hardcore scene. In the mid ’80s, popular thrash metal bands, including Anthrax, Metallica, Slayer and Megadeth adopted the rapid-fire rhythms and chugging, surging riffs of hardcore metal.
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